Things to keep in mind for a beautiful garden
Main principles on the garden's design
Bring the Japanese feeling into your garden with these basic steps. First of all, embrace the ideal of nature. That means, keep things in your garden as natural as possible, avoiding to include things that could disrupt this natural appearance.
For example, don't include square ponds in your design as square ponds are nowhere to be found in nature. Also, a waterfall would be something closer to what exists in nature if we compare it to a fountain. So you also have to consider the Japanese concept of sumi or balance. Because one of Japanese gardening design main purposes is to recreate large landscapes even in the smallest place. Be careful when choosing the elements for your garden, because you don't want to end up filling your ten by ten courtyard with huge rocks.
As a miniaturized landscape, the rocks in the garden would represent mountains and the ponds would represent lakes. A space filled with sand would represent an ocean. By that we assume that garden masters were looking to achieve a minimalistic approach, best represented by the phrase "less is more".
The elements of time and space
One of the things westerners notice at first are the many portions of empty space in the garden. In fact, these spaces are an important feature in Japanese gardening. This space called ma, relates to the elements around it and that also surround it. The concepts of in and yo are of vital importance here, they are best known to the Western civilization by the Chinese names yin and yang. If you want to have something you have to start with having nothing. This is an idea quite difficult to understand, but it is a rule of thumb in Japanese gardening.
An important clue in the development of a garden is the concept of wabi and sabi. There's no literal English translation for those words. Wabi is about uniqueness, or the essence of something; a close literal translation is solitary. Sabi deals with the definition of time or the ideal image of something; the closest definition might be time strenghtened character. Given the case, a cement lantern that might appear unique, would lack of that ideal image. Or an old rock covered in lichens would have no wabi if it's just a round boulder. That's why it is important to find that balance.
Ma and wabi/sabi are connected to the concepts of space and time. When it comes to seasons, the garden must show the special character of each one. Japanese garden lovers dedicate time to their gardens every season, unlike the western gardener who deserts in fall just to be seen again in spring.
A very relaxing view in spring is given by the bright green of new buds and the blossoms of the azaleas. In summer, the lush foliage in combination with the pond offer a powerful and fresh image. The vivid spectacle of the brilliant colors of dying leaves in fall are a prelude for the arrival of winter and its white shroud of snow.
The two most important gardening seasons in Japan are spring and winter. Japanese refer to the snow accumulated on braches as Sekku or snow blossoms. Yukimi, or the snow viewing lantern, is another typical element of the Japanese garden in winter. The sleep of the garden in winter is an important episode for our Japanese gardener, while for the western gardener spring is the beginning of the work at the garden. Maybe because of the eastern point of view as death like part of the life cycle, or perhaps the western fear to death.
About garden enclosures
Let's see the garden as a microcosm of nature. If we're looking for the garden to be a true retreat, we have to 'set it apart' from the outside world. Because of that, fences and gates are important components of the Japanese garden.
The fence and the gates have both symbolism and functionality. The worries and concerns of our daily life have to stay out of this separate world that becomes the garden. The fence protects us from the outside world and the gate is the threshold where we leave our daily worries and then prepare ourselves to confront the real world again.
The use of fences is based in the concept of hide/reveal or Miegakure. Fence styles are very simple and are put in combination with screen planting, thus not giving many clues of what hides inside. You can give a sample look of your garden by cutting a small window in the solid wall that encloses your garden if that's the case. Sode-gaki, or sleeve fences, are fences attached to an architectural structure, that will only show a specific view of the garden from inside the house. Thus, we're invited to get into the garden and enjoy it in its entirety. That's what makes the true understanding of the garden, to lose in it our sense of time and self.
Basic Arrangements
Despite the fact that certain rules are applied to each individual garden, don't think that there's just one type of garden. There are three basic styles that differ by setting and purpose.
Hill and Pond Garden (Chisen-Kaiyu-skiki)
A China imported classic style. A pond or a space filled with raked gravel fronts a hill (or hills). This style always represents mountainous places and commonly makes use of vegetation indigenous to the mountains. Stroll gardens commonly use this style.
Flat Garden (Hiraniwa)
It derives from the use of open, flat spaces in front of temples and palaces for ceremonies. This is an appropriate style for contemplation and that represents a seashore area (with the use of the right plants). This is a style frequently used in courtyards.
Tea Gardens (Rojiniwa)
Function has a greater importance than form in this type of garden. The Roji or dewy path, is the main point of the garden, along with the pond and the gates. This would be the exception to the rule. The simple and sparse plantings give a rustic feeling to the garden.
Formality has to be taken in consideration
Hill and pond and flat styles may be shin (formal), gyo (intermediate) or so (informal). Formal styles were to be found usually at temples or palaces, intermediate styles were suitable for most residences, and the informal style was used in peasant huts and mountain retreats. The tea garden is the one that always fits in the informal style.
The garden components
Rocks (ishi in Japanese) are the main concern of the Japanese garden. If the stones are placed correctly, then the garden shows in a perfect balance. So here are shown the basic stone types and the rules for their positions.
The basic stones are the tall upright stone, the low upright stone, the curved stone, the reclining stone, and the horizontal stone. These must be usually set in triads although this doesn't happen always. Two almost identical stones (by way of example, two tall verticals or two reclining stones), one a little quite smaller than the other, can be set together as male and female, but the use of them in threes, fives, and sevens is more frequent.
We have to keep away from the Three Bad Stones. These are the Diseased stone (having a withered or misshapen top), the Dead stone (an obviously vertical one used as a horizontal, or vice versa, like the placement of a dead body), and the Pauper Stone (a stone having no connection to the several other ones in the garden). Use only one stone of each of the basic types in any cluster (the rest have to be smaller, modest stones also known as throwaway stones). Stones can be placed as sculptures, set against a background in a two-dimensional way, or given a purpose, such as a stepping stone or a bridge.
When used as stepping stones they should be between one and three inches above the soil, yet solid underfoot, as if rooted into the ground. They can be put in straight lines, offset for left foot, right foot (referred as chidori or plover, after the tracks the shore bird leaves), or set in sets of twos, threes, fours, or fives (and any combination thereof).
The pathway stands for the passage through life, and even particular stones by the path may have meaning. A much wider stone placed across the path tells us to put two feet here, stopping to enjoy the view. There are numerous stones for specific places. When observing the basic design principles, we can notice the exact character of the Japanese garden.
Water (mizu in Japanese) plays an important part in the composition of the Japanese garden because of Japan's abundant rainfall. Water can be represented even with a raked gravel area instead of water. A rushing stream can be represented by placing flat river stones closely together. In the tea garden, where there isn't any stream or pond, water plays the most important role in the ritual cleansing at the chozubachi, or water basin. As the water fills and empties from the shishi-odoki, or deer scare, the clack of bamboo on rock helps mark the passage of time.
The flow of water, the way it sounds and looks, brings to mind the continual passage of time. A bridge crossing the water stream is often used as a landscaping complement. Bridges denote a journey, just as pathways do. Hashi, in japanese, can mean bridge or edge. Bridges are the symbolic pass from one world into another, a constant theme in Japanese art.
Plants or Shokobutsu may play a secondary role to the stones in the garden, but they are a primary concern in the design too. Stones represent what remains unchanged, so trees, shrubs, and perennials have to represent the passing of seasons. Earlier garden styles used plants to make up poetic connotations or to correct geomantic issues, but these have little meaning today.
As the the Heian style diminished under the Zen influence, perennials and grasses fell out of use. So, for a long time, there were only a few plants that tradition allowed for the garden. However, in modern Japan, designers are again widening the spectrum of materials used. It is highly recommended that native plants are chosen for the garden, because showy exotic plants are not in good taste. Be aware that native plants are used in the garden, because it is in bad taste to use showy exotic plants. Although pines, cherries and bamboo immediatly remind us of Japanese gardens, we encourage you to use native plants of your locality that you can find pleasing. If we choose evergreens as the main plant theme and combine it with deciduous material that may provide seasonal blooms or foliage color we can recreate the look of the Japanese garden.
Now the next thing taken in consideration in a Japanese garden are the ornaments or Tenkebutsu. Stone lanterns are, for westerners, a typical impression of Japanese gardens.Stone lanterns are not important components of the Japanese garden. The reason is that ornaments are subjected to the garden's design. Lanterns, stupas, and basins are just architectural complements added when a point of visual interest is necessary to the design.
A good way to finish yor garden design could be a well-placed lantern. The three main styles (although with many variations) are: The Kasuga style lantern, is a very formal one featuring a stone base. In the Oribe style lantern, unlike the Kasuga style, the pedestal is underneath the ground. The Yukimi or Snow-Viewing lantern is set on short legs instead of a pedestal. Consider the formality of your garden setting to choose the appropiate lantern.
When possible, elements from outside the garden can be included in it. For instance, you can work a far away mountain including the scenery in your design, framing it with the stones and plants existing in the garden.
The borrowed scenery (shakkei in Japanese) can be: Far (as in a far away mountain); near (a tree just outside the fence); High (an element seen above the fence) or low (like a component seen below a fence or through a window in the fence).
As much as it is perceived to contradict our sense of enclosure, it reminds us of how all things are interconnected.
The feel of your garden
The Japanese garden is a subtle place full of contradictions and imperatives. Where firmly established rules are broken with other rules. If you meet the Buddha on the road, you must kill him is a Zen paradox that recommends not to stick so tightly to rules, and the same goes for Japanese gardens.
When building a Japanese garden, don't get too attached to traditions that hold little meaning for you. It would have no function to recreate a Buddhist saints garden. This also applies to trying to remember the meaning of stone placements, as this method is no longer used in Japan, or even in the United States, due to the lack of meaning for us in the modern world.
That's why we have selected a few gardening suggestions that do hold relevance and integrate them into a garden. These three ideas on gardening will give direction to achieve perfect results.
First
The overall setting of the garden should always be right for the location, not the other way around.
Second
The stones should be placed first, next the trees, and then the shrubs.
Third
Get used to the concepts of shin, gyo, and so. This is of great help to start working on the garden.
Have in mind that the real Japanese garden are the traditional ones in Japan. What we can do in America is to shape a garden in the Japanese style. Rikyu once said about the perfect Roji: "Thick green moss, all pure and sunny warm". In other words, techniques are not as important as the feeling you evoke in your garden. Said in other way, the feeling is more important than techniques.
Tag : garden,Japanese garden,gardening,Japan
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Things to keep in mind for a beautiful garden
Main principles on the garden's design
Bring the Japanese feeling into your garden with these basic steps. First of all, embrace the ideal of nature. That means, keep things in your garden as natural as possible, avoiding to include things that could disrupt this natural appearance.
For example, don't include square ponds in your design as square ponds are nowhere to be found in nature. Also, a waterfall would be something closer to what exists in nature if we compare it to a fountain. So you also have to consider the Japanese concept of sumi or balance. Because one of Japanese gardening design main purposes is to recreate large landscapes even in the smallest place. Be careful when choosing the elements for your garden, because you don't want to end up filling your ten by ten courtyard with huge rocks.
As a miniaturized landscape, the rocks in the garden would represent mountains and the ponds would represent lakes. A space filled with sand would represent an ocean. By that we assume that garden masters were looking to achieve a minimalistic approach, best represented by the phrase "less is more".
The elements of time and space
One of the things westerners notice at first are the many portions of empty space in the garden. In fact, these spaces are an important feature in Japanese gardening. This space called ma, relates to the elements around it and that also surround it. The concepts of in and yo are of vital importance here, they are best known to the Western civilization by the Chinese names yin and yang. If you want to have something you have to start with having nothing. This is an idea quite difficult to understand, but it is a rule of thumb in Japanese gardening.
An important clue in the development of a garden is the concept of wabi and sabi. There's no literal English translation for those words. Wabi is about uniqueness, or the essence of something; a close literal translation is solitary. Sabi deals with the definition of time or the ideal image of something; the closest definition might be time strenghtened character. Given the case, a cement lantern that might appear unique, would lack of that ideal image. Or an old rock covered in lichens would have no wabi if it's just a round boulder. That's why it is important to find that balance.
Ma and wabi/sabi are connected to the concepts of space and time. When it comes to seasons, the garden must show the special character of each one. Japanese garden lovers dedicate time to their gardens every season, unlike the western gardener who deserts in fall just to be seen again in spring.
A very relaxing view in spring is given by the bright green of new buds and the blossoms of the azaleas. In summer, the lush foliage in combination with the pond offer a powerful and fresh image. The vivid spectacle of the brilliant colors of dying leaves in fall are a prelude for the arrival of winter and its white shroud of snow.
The two most important gardening seasons in Japan are spring and winter. Japanese refer to the snow accumulated on braches as Sekku or snow blossoms. Yukimi, or the snow viewing lantern, is another typical element of the Japanese garden in winter. The sleep of the garden in winter is an important episode for our Japanese gardener, while for the western gardener spring is the beginning of the work at the garden. Maybe because of the eastern point of view as death like part of the life cycle, or perhaps the western fear to death.
About garden enclosures
Let's see the garden as a microcosm of nature. If we're looking for the garden to be a true retreat, we have to 'set it apart' from the outside world. Because of that, fences and gates are important components of the Japanese garden.
The fence and the gates have both symbolism and functionality. The worries and concerns of our daily life have to stay out of this separate world that becomes the garden. The fence protects us from the outside world and the gate is the threshold where we leave our daily worries and then prepare ourselves to confront the real world again.
The use of fences is based in the concept of hide/reveal or Miegakure. Fence styles are very simple and are put in combination with screen planting, thus not giving many clues of what hides inside. You can give a sample look of your garden by cutting a small window in the solid wall that encloses your garden if that's the case. Sode-gaki, or sleeve fences, are fences attached to an architectural structure, that will only show a specific view of the garden from inside the house. Thus, we're invited to get into the garden and enjoy it in its entirety. That's what makes the true understanding of the garden, to lose in it our sense of time and self.
Basic Arrangements
Despite the fact that certain rules are applied to each individual garden, don't think that there's just one type of garden. There are three basic styles that differ by setting and purpose.
Hill and Pond Garden (Chisen-Kaiyu-skiki)
A China imported classic style. A pond or a space filled with raked gravel fronts a hill (or hills). This style always represents mountainous places and commonly makes use of vegetation indigenous to the mountains. Stroll gardens commonly use this style.
Flat Garden (Hiraniwa)
It derives from the use of open, flat spaces in front of temples and palaces for ceremonies. This is an appropriate style for contemplation and that represents a seashore area (with the use of the right plants). This is a style frequently used in courtyards.
Tea Gardens (Rojiniwa)
Function has a greater importance than form in this type of garden. The Roji or dewy path, is the main point of the garden, along with the pond and the gates. This would be the exception to the rule. The simple and sparse plantings give a rustic feeling to the garden.
Formality has to be taken in consideration
Hill and pond and flat styles may be shin (formal), gyo (intermediate) or so (informal). Formal styles were to be found usually at temples or palaces, intermediate styles were suitable for most residences, and the informal style was used in peasant huts and mountain retreats. The tea garden is the one that always fits in the informal style.
The garden components
Rocks (ishi in Japanese) are the main concern of the Japanese garden. If the stones are placed correctly, then the garden shows in a perfect balance. So here are shown the basic stone types and the rules for their positions.
The basic stones are the tall upright stone, the low upright stone, the curved stone, the reclining stone, and the horizontal stone. These must be usually set in triads although this doesn't happen always. Two almost identical stones (by way of example, two tall verticals or two reclining stones), one a little quite smaller than the other, can be set together as male and female, but the use of them in threes, fives, and sevens is more frequent.
We have to keep away from the Three Bad Stones. These are the Diseased stone (having a withered or misshapen top), the Dead stone (an obviously vertical one used as a horizontal, or vice versa, like the placement of a dead body), and the Pauper Stone (a stone having no connection to the several other ones in the garden). Use only one stone of each of the basic types in any cluster (the rest have to be smaller, modest stones also known as throwaway stones). Stones can be placed as sculptures, set against a background in a two-dimensional way, or given a purpose, such as a stepping stone or a bridge.
When used as stepping stones they should be between one and three inches above the soil, yet solid underfoot, as if rooted into the ground. They can be put in straight lines, offset for left foot, right foot (referred as chidori or plover, after the tracks the shore bird leaves), or set in sets of twos, threes, fours, or fives (and any combination thereof).
The pathway stands for the passage through life, and even particular stones by the path may have meaning. A much wider stone placed across the path tells us to put two feet here, stopping to enjoy the view. There are numerous stones for specific places. When observing the basic design principles, we can notice the exact character of the Japanese garden.
Water (mizu in Japanese) plays an important part in the composition of the Japanese garden because of Japan's abundant rainfall. Water can be represented even with a raked gravel area instead of water. A rushing stream can be represented by placing flat river stones closely together. In the tea garden, where there isn't any stream or pond, water plays the most important role in the ritual cleansing at the chozubachi, or water basin. As the water fills and empties from the shishi-odoki, or deer scare, the clack of bamboo on rock helps mark the passage of time.
The flow of water, the way it sounds and looks, brings to mind the continual passage of time. A bridge crossing the water stream is often used as a landscaping complement. Bridges denote a journey, just as pathways do. Hashi, in japanese, can mean bridge or edge. Bridges are the symbolic pass from one world into another, a constant theme in Japanese art.
Plants or Shokobutsu may play a secondary role to the stones in the garden, but they are a primary concern in the design too. Stones represent what remains unchanged, so trees, shrubs, and perennials have to represent the passing of seasons. Earlier garden styles used plants to make up poetic connotations or to correct geomantic issues, but these have little meaning today.
As the the Heian style diminished under the Zen influence, perennials and grasses fell out of use. So, for a long time, there were only a few plants that tradition allowed for the garden. However, in modern Japan, designers are again widening the spectrum of materials used. It is highly recommended that native plants are chosen for the garden, because showy exotic plants are not in good taste. Be aware that native plants are used in the garden, because it is in bad taste to use showy exotic plants. Although pines, cherries and bamboo immediatly remind us of Japanese gardens, we encourage you to use native plants of your locality that you can find pleasing. If we choose evergreens as the main plant theme and combine it with deciduous material that may provide seasonal blooms or foliage color we can recreate the look of the Japanese garden.
Now the next thing taken in consideration in a Japanese garden are the ornaments or Tenkebutsu. Stone lanterns are, for westerners, a typical impression of Japanese gardens.Stone lanterns are not important components of the Japanese garden. The reason is that ornaments are subjected to the garden's design. Lanterns, stupas, and basins are just architectural complements added when a point of visual interest is necessary to the design.
A good way to finish yor garden design could be a well-placed lantern. The three main styles (although with many variations) are: The Kasuga style lantern, is a very formal one featuring a stone base. In the Oribe style lantern, unlike the Kasuga style, the pedestal is underneath the ground. The Yukimi or Snow-Viewing lantern is set on short legs instead of a pedestal. Consider the formality of your garden setting to choose the appropiate lantern.
When possible, elements from outside the garden can be included in it. For instance, you can work a far away mountain including the scenery in your design, framing it with the stones and plants existing in the garden.
The borrowed scenery (shakkei in Japanese) can be: Far (as in a far away mountain); near (a tree just outside the fence); High (an element seen above the fence) or low (like a component seen below a fence or through a window in the fence).
As much as it is perceived to contradict our sense of enclosure, it reminds us of how all things are interconnected.
The feel of your garden
The Japanese garden is a subtle place full of contradictions and imperatives. Where firmly established rules are broken with other rules. If you meet the Buddha on the road, you must kill him is a Zen paradox that recommends not to stick so tightly to rules, and the same goes for Japanese gardens.
When building a Japanese garden, don't get too attached to traditions that hold little meaning for you. It would have no function to recreate a Buddhist saints garden. This also applies to trying to remember the meaning of stone placements, as this method is no longer used in Japan, or even in the United States, due to the lack of meaning for us in the modern world.
That's why we have selected a few gardening suggestions that do hold relevance and integrate them into a garden. These three ideas on gardening will give direction to achieve perfect results.
First
The overall setting of the garden should always be right for the location, not the other way around.
Second
The stones should be placed first, next the trees, and then the shrubs.
Third
Get used to the concepts of shin, gyo, and so. This is of great help to start working on the garden.
Have in mind that the real Japanese gardens are the traditional ones in Japan. What we can do in America is to shape a garden in the Japanese style. Rikyu once said about the perfect Roji: "Thick green moss, all pure and sunny warm". In other words, techniques are not as important as the feeling you evoke in your garden. Said in other way, the feeling is more important than techniques.
| Article Source: http://EzineArticles.com/?expert=Hoyce_Choyce | |
How To Grow Heavenly Bamboo Or Nandina Unique Colorful Garden Screen Shrubs For Dry Shade
0 comments Posted by ariya at 6/14/2009Nandina can be grown as a low screen in the landscape. It is a slow grower, but well worth the wait. The plant sends out tall stalks from the base on which the delicate leaves unfurl. It will eventually reach heights of 6 to 8 feet tall. Single plants usually measure two feet across, but they slowly form clumps, spreading by underground runners. But Nandina is not considered invasive.
Heavenly Bamboo plants are fairly drought tolerant and can survive on little extra water once they are established in the ground. They can also tolerate regular garden watering too. Another valuable trait is that Nandina can be grown from sun to shade. In areas with very hot summers it will grow best with part shade.
In spring or early summer Nandina blooms with creamy white flowers at the ends of their branches. The flowers bracts measure from 6 to 12 inches, with large whitish flowers with bright yellow centers. If the flowers are pollinated they will produce clusters of bright red berries in the fall.
Heavenly Bamboo isn't a true bamboo at all, but is a member of the barberry family. It is native to China and Japan. It grows best in USDA Zones 7 - 9 or Sunset Zones 4 - 24 with stem damage occurring about 5 degrees. When grown in alkaline soils, Nandina can develop chlorosis, or iron deficiency. This disease shows up as light green or white veins and pale, sickly leaves but it can be easily cured with an iron mixture from your local nursery.
In pots Nandina shrubs require large, deep containers. Try starting them in 12-16 inch pots or larger. Nandina would make a striking focal point on a patio, with the ever-changing leaf color giving it the appearance of an exotic bronze sculpture. Or grow one into a difficult-to-plant dry shade corner of the garden. Either way you are sure to be enchanted by the beauty of Heavenly Bamboo. Good luck and happy gardening!
By: Laura Zinkan
Article Directory: http://www.articledashboard.com
Some people are lucky and have this innate gift of knowing how to design space, making it a pleasing place to be in. Others don't have this gene and find it very difficult to visualise how the space will work. To create a good design it is important you understand that design is about managing space and people moving around it. The core of good garden design centres round patterns and the space within these patterns. By using geometrical shapes, circles, triangles, rectangles etc. you can achieve a unified feel to your garden. So you need to think about ground patterns and movement around your garden. Where would you like people to go? Ground patterns can be achieved with the use of bricks, paving and plant material such as cut grass etc.
Formal gardens are symmetrical and geometrical and are strict in terms of repeating patterns and plant materials on either side. It is very controlled, plants are clipped, shaped, manipulated regularly and today is often suitable for small gardens like court yards. Urns, balustrades, stone, gravel paths, parterres, formal pools and framed views are all part of the formal garden. There are no surprises, you know what to expect.
Informal designs are asymmetrical and not as regimented. Plant material is allowed to spill over the structural elements such as walls, steps and paths. Plant material is allowed to self-seed and wander around the garden. Informal garden design is softer, full of surprises thus you don't know what to expect.
And semi formal is the combination of the above two. Usually it is the built structures such as retaining walls, paths and steps that are formal and the informal element is the plant material which is allowed to spill over them, softening their hard outlines.
Within these three types, there are many different styles of gardens to choose from such as contemporary, Japanese, Mediterranean, cottage, courtyard, kitchen garden or secret garden.
Contemporary is a modern style that likes to reflect the surrounding but also use a wide range of plant material. Form and texture of foliage are as important as flowers. Hard landscaping is woven into geometrical shaped buildings; all of which flow into the wider landscape. Plants are used as focal points to highlight the architectural forms.
Cottage was a late nineteenth-century ideal to return to the simple cottages of the country. They were planted with hardy bulbs, flowers, fruit bushes and herbs and vegetables. They were geometric, colours were harmonised and luxurious as plants grew well as they were heavily manured regularly.
Mediterranean is not limited to one particular area but are defined according to hot summers and low rainfall. They encompass entertaining areas, shade, good views and dramatic shadows. Hot colourful plants are used and lots of lush green foliage plants to create a cool atmosphere. Plants need to be drought tolerant. Evergreen plants are popular because they cast shade on hot days. Walls are white washed to reflect the sun, pergolas built to create shade and use terracotta pots. There is often a water feature and water provides cooling vibes.
Japanese gardens encompasses religion and Japan's cultural history. Japanese gardens are very symbolic often the symbols relate to nature. Plants are 'tamed' and there is an emphasis on evergreen trees and shrubs. They are very controlled and often minimalist. True Japanese gardens are contemplative a place of meditation and great calm.
Planning
If you feel overwhelmed and don't know where to start when designing your garden, I suggest you break it up into areas called rooms thus dividing one big space into several smaller spaces. For example: there is the front garden, the side garden and the back garden. Once you have decided where they begin and end you can then divide each of those areas up again. For example in the back garden you could have the entertaining area, the grass/children's area, the utilities area (includes the compost heap and shed), the pool area and the vegetable/orchard area. Once you have defined the areas/rooms you can tackle one at a time, thus making a huge project into several smaller projects.
The Three Planning Stages
To create an interesting and exciting garden there are 3 sets of plans (may be four if you need an engineer's structural plans) you need to devise:- Site Analysis Plan, Concept Plan and Planting Plan, usually all drawn to scale.
The First Steps
To design a garden that works there are several things you need to do before buying plants and planting them. If you follow these steps you are more likely to have a successful garden.
Site Analysis
It is important to make an inventory of the area you are designing. Things to include are:
Levels - steep/flat
Aspect - North/south
Sun/shade
Sun Summer/Winter
Shadows
Existing trees and buildings
Wind
Views - good and bad
Soil conditions
Entrances - Front/back doors
Power lines
Underground cables and pipes
Clothes line
Fences
Sheds and garages
Paved and unpaved areas
Patio/BBQ
Lighting
Drainage - runoff of storm watered
Once you have noted the above, it is time to draw up the space. You can draw it roughly (not to scale) but eventually you will have to draw it to scale. Start by measuring the area you are designing, draw it to scale ie. 1:100 and put all the above points onto your drawn plan. All these influences need to be drawn on paper, so that you can gauge any trends. For example there might be a paved path from the back door to the garage, but everyone takes a short cut across the lawn, creating a desire line. No - one uses the paved path. So perhaps pave the desire line and make it the official path.
The next step is the concept plan and this is the plan where you put down you ideas. It can be as wild and as adventurous as you like. Forget cost, enjoy your creativity. This is the stage where you put down your dreams of what you have always wanted. Later on, you hip pocket will decide for you whether you can have them. Anything is possible, so don't be shy, dream away. Again this can be roughly drawn or to scale, it is up to you.
The third and final plan is the planting plan and it is preferable that it is drawn to scale as this allows you to know exactly how many plants you will need. It incorporates all the ideas you have decided upon and shows you how the finished garden is going to look. It is the road map which will guide you to building your new garden.
There may be a fourth plan if your site is steep or you are having major elements built, as you may need the advice of an engineer.
Points to Consider
Think about your soil conditions, is it heavy clay or light and sandy? What plants will grow in these conditions? Are some areas boggy and some always dry?
Sun conditions
The sun is higher in the sky during spring and summer and shadows are shorter. Whereas in winter, the sun is lower in the sky and casts longer shadows. So a plant might be in full sun in summer and complete shade in winter. Can it tolerate this? Also think about the conditions the plants require. Are they full sun plants like roses or shade loving plants like azaleas?
Wind
You also need to think about wind direction. Which way does the prevailing wind come from? Screens and hedges are one way of managing this problem but what problems are they going to cause? Making the block feel narrow, casting shadows etc? It is important to know because some plants don't like wind and it is no good putting the BBQ/entertainment area in an uncomfortable spot.
Views
Views out your window or from your garden are very important. Some are intrusive while others are desired. If you wish to block out flats/neighbours etc. you may need to put in a higher fence or a hedging screen of some kind. Or you may want to design your garden to enhance the view of the mountain, ocean etc.
Utilities and Service Lines
You also need to be aware where your services and utilities are; things like clothesline, overhead power lines etc. If you damage the gas, telephone or electricity lines, you are liable to pay for their repair.
Principles of garden design
To create a well designed garden, it is important to put the right plant in the right position. This means considering the cultural requirements of the plant. For example putting a full sun plant such as rose into a shady position isn't going to work, because the rose won't be receiving the right amount of sunlight for it to grow. The idea of good garden design is to follow this philosophy, using the placement of plants to create mystery, tension and surprise by using tricks of the eye, colours and textures.
Tension, mystery and surprise make a garden interesting. One way to create these is to use hedges, low walls, screens, paths, steps to make individual 'garden rooms' with tension points that captures your attention on the way. For example a narrow oblong garden can be made more interesting if you can't see the back fence - that there is a feature (plant or statue etc.) that obscures the fence. It also becomes more interesting if the path way is narrow then opens up into another room. A winding path adds mystery to the garden if you can't see what is around the corner. Surprise comes when you go around the corner and discover a focal point.
A focal point is something like a seat/statue/water feature that leads your eye directly to it. For example - a pergola that has a statue at the end of it. The statue is the feature and is the reason why you look/walk to see it. Another example of a focal point is a pathway leading through a door that is open and shows a vista of the wider landscape.
The success of the focal point can depend on the how successfully the ground patterns lead you there. If the paving encourages you along this path thus creating some tension and mystery, you are more likely to follow the path to see what's there because you have become inquisitive. Narrow paths encourage you to walk quickly and not to dilly dally along the way, where as wide paths say stroll, take you time, look at the surrounding vegetation. A gentle curve can be negotiated at speed, but a tight curve can't be so people slow down as there is risk involved. Paving is used as a directional tool says don't walk that way, but walk this way. Edging bricks say don't step over this - this is a boundary. Paving can also be used to reflect the ground plane of the house or other shapes in the garden.
Long narrow gardens have a strong directional emphasis that needs to be broken up. Square plots are static. To solve these problems the space's shape needs to be changed. A circular design distracts the eye from the straight lines of the boundary fence. You could also use a series of rectangles using the boundaries as part of the design.
Another method is to turn the garden onto a 45 degree angle. A long diagonal line will immediately create a feeling of space. The paving near the house could be done on an angle and high light the diagonal line of the entire garden.
gardens with a dog-leg in them can utilise the bend by using tension, mystery and surprise to lead you around the corner to a focal point of some kind.
Unified space is created by controlling the movement around the garden. It is the way areas are linked together by paths, bridges, pergolas, steps and terraces that determine whether a garden is successful. Careless placing can ruin the flow of the garden. If you wish to direct someone's attention to a particular point then there must be a clear reason in the design for following this pathway.
Ground levels are very important when designing a garden. If a slope is too steep to walk down safely, steps may be needed and if the entire block is on a slope, the whole area may need to be terraced. What material you use is also important. Steps should not be of slippery materials and gravel may wash away. The surfaces need to be flat otherwise they could be dangerous and people will not want to walk along them and instead they may create a desire lines.
Levels help to create interest and 'rooms' in a garden because you move from one place to another by steps/paths/etc. Allow your levels to gently flow into one another and keep them simple. Don't over decorate them. A slope up from the house will appear foreshortened whereas a slope down from the house will appear larger.
Choosing Plant Materials
There are 3 types of gardens:- the plants man, the garden designer and the gardener's (mix of the first two). The plants man gardens consist of lots of singular plantings, unconnected and often rare and difficult to source. The garden designer's garden consists of plants that are tried and tested - they use plants that they know and how they perform. The gardener's garden has learned that their favourite plants can be more effective if planted in a scheme.
When choosing plants you must consider what the conditions are of your garden. There is no point putting alkaline tolerant plants in acid soil or vise versa. It won't work! You need to think about what your plants you have chosen require moist soils, dry soils, shade, sun, well drained, boggy soils. If you do your research correctly and place your plants in the right position, you are well on the way to a successful garden.
The height and spread of your plants also needs to be considered. Tall growing plants are placed at the back of the garden bed, graduating down to the low plants. Remember some plants send up flower spikes that may be much larger than the plant itself, so they need to be positioned according to their flower spike height. Some plants are bushy so don't forget to leave sufficient room for them to spread. They may need annual pruning to keep them in check.
Colour
Another trick in the designing tool bag is using colour. Colour is the sensation of illumination which is light. The way colours inter-react with each other depends on their position in colour wheel. Manipulating colour is great fun and can create all sorts of illusions. Colours are divided into 2 groups primary red, yellow, blue and secondary green, violet, orange. Secondary colours are made of combining two primary such as mixing blue and yellow together to create green. You can make a space look cold or create distance by using pale and brown colours. You can also make a space looker bigger than it really is by using warm colours such as oranges, reds or yellows. If you want to make a space look closer to you, again use warm colours. As reds, oranges or yellow are very busy colours to the eye, it is a good idea to intersperse white flowers or grey foliage plants to calm the visual scene down. White and grey also intensify blue and pale colours.
One thing to remember about the Australia sun is that the best time to look at our gardens is in the late afternoon when the sunlight is not as strong. Our hot sun tends to fade our flowers colours and the glare at mid-day tends to wash the colour out.
If you are feeling overwhelmed about designing your garden, divide your space up and take it slowly, completing one section at a time. Don't start another part until you have finished the section you are working on and very soon you will have a beautiful garden. Remember gardens are ephemeral, it is a process that is for ever evolving. You never really finish.
Labels: Design, Garden, Garden Designing, Good Garden
Building the box is simple and cheap. Of course, you could go all out and use expensive wood or build a structure capable of withstanding a flood, but it really is not necessary for the classic box garden. Box gardens are very popular in Japan because they are nice, neat and create a lot of vegetables in a small space.
The secret is that the dirt inside never gets stepped on. It’s nice and loose, allowing roots to penetrate really deep. Plants grow stronger, bigger and produce more vegetables when they are planted up off of the ground like this. You can also place plants closer together and squeeze more in.
To construct your own for practically nothing, buy landscaping timbers. They top out at about three dollars each. You’ll need to stack them two high. The box needs to be a rectangle no more than four feet across. This will allow you to reach the center without ever stepping on the dirt. Make it as long as you would like. I use four 8’ landscaping timbers for each side and two 4’ timbers for each end. I hammer stakes in the ground along the outside to keep the walls from toppling over.
Once your box is in place, fill it up with bags of soil. Check the bag to see how many you need. A normal small bag will fill one cubic foot of space, so for a 16’ long box like mine, I used about 30 bags. You only need the dirt to be about eight inches deep for vegetables. You may want to work in some cow manure, peat moss or other types of soil. Once you have it filled, you can use it for many years. I recommend refreshing the soil yearly with peat moss and new dirt so that your garden doesn’t become low on nutrients.
Now you are ready to plant. Water the new garden thoroughly to see how much it is going to settle. You may decide to add more soil at this point. With a shovel or just your hands, dig out rows short-ways across the box. Each row should be four feet long. Plant your vegetables according to each plant’s directions. But remember, because you are using a box, you can plant closer together than the directions might say. For example, tomato plants normally need to be 18” apart. In a box garden, you can plant them as close as 9” apart. Plus you’ll enjoy more tomatoes from each plant.
You will want to keep your garden hose reel close by for frequent watering because a box garden can dry out more quickly than one located on the ground. Don’t water tomatoes too much or they will lose precious vitamins and turn out whitish and grainy inside. Just a little tip from one tomato fan to another!
By: Stacy Pessoney
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I recommend anyone who is seriously interested in having a Japanese garden in their backyard to avoid such schemes. Similarly, many of the Do-It-Yourself in one weekend advertisements and books are also going to be very misleading.
Anyone who is interested in having an authentic garden should first study up on what style of Japanese garden they are interested in. Next, you need to take into account what type of property you have and where you would like to have you garden. From there you have two Japanese garden design options:
1) Either look into hiring a professional garden design and installation company, which will cost more, but in the long run you will be happier with the outcome.
2) Do it yourself after you have investigated many different styles of gardens, determined which fits best for you site, and obtained the necessary garden tools to build and maintain your garden.
In either option there needs to be a dedication to studying a little about the styles of gardens available as well as some kind of financial commitment to you project. This is something you cannot achieve though a free online garden design. Don't expect to spend $200 and recreate the atmosphere of a famous rock garden one Saturday morning.
There are a handful of good Japanese landscapers outside of Japan. Take the time to seek out these authorities with experience, the outcome will be worth it.
Although many Japanese gardens appear to be very simplistic, it is in the simplicity that millions of details lie in wait to be discovered by the observer.
If you are drawn to and intrigued by a picture of a garden and strive to emulate that in your garden, understand that this tradition is hundreds of years old and has developed over time. Think about what it is that appeals to you in that particular garden and think of how you can realistically create that feeling or atmosphere in your potential garden location.
A good garden designer will visit the location and check out the environment, surrounding areas, the view from the home, check your climate hardiness zone etc. None of these essential pieces of information are possible via ordering Free Japanese garden designs.
Labels: Garden, Garden Design, Japanese
So if you desire to discover the similar aesthetic and spiritual release in a place like New York, San Francisco, or even if you immediately desire to wrap something ugly on your home, or try your hand at growing a garden, a window box garden is a great way to go. So, to grow the best box garden window you can, your first major decision should be to understand the purpose of your garden, from there you can select plants for your garden to get the best recourse.
2. Discover Ornamentation
After you find your item, you can determine your ornamentation. For many people window gardens are purely there to beautify their homes and neighborhood. If this is your goal, your decoration May be different if you have another purpose. For example, in May you be happy to have a single burst of color in spring, then leave behind plants such as to dominate the window garden for the rest of the growing season. So you want to plant flowers and other plants that bloom in different seasons, so you have a good growth throughout the year. Take a look at the lists below for some ideas of what grows well and when:
Some spring followers include:
Thoughts, tulips, daffodils, crocuses, primroses, lilies, and violas.
If you want flowers in the spring, but you want to see the summer flowers, plants:
Geraniums, lavender, impatiens, salvia, petunias, daisies, begonias, Zinnias, fuschia and nasturtiums (nasturtiums have an advantage in that their leaves and flowers are edible and add a peppery, watercress, like the taste of salads and sandwiches).
For windows and year of greenery, a "winter interest" window garden can still behave as:
Dwarf Alberta spruce, bristlecone pine, pine mugho and small cactus
If you want plants that grow near the bottom of your window, and are ideal for year round greens try the following:
Ivy, myrtle, creeping Jenny, sweet potato vine, and vinca.
3. Decide who you want Fragrance
a house sometimes smells and most of the time they are the smells that you cannot get rid of, as the smell of an old house. So, if you want plants to perfume things to try the little mint, lemon or the smell of plants. There are also options for other smells, the scents of honey and flowers in great as well.
4. Decide what you want
You can always plant herbs, food, etc. Many people use box garden windows for growing a garden of herbs or vegetables. It is an excellent way to supplement the things you use in your kitchen throughout the summer months. So if you want to have a small garden, growing plants such as cucumbers, tomatoes, etc.
Tag : garden,home garden,garden decor,garden windows
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There is no doubt that garden ornaments are quite popular, and have been growing in popularity over the last few years. And, these are not simply the lawn and garden ornaments that our parents and grandparents had in their yards. More modern lawn and garden ornaments are very beautiful, even classy; you don’t have to go for the cheesy garden gnome look, if you don’t want to. Instead, you can choose to decorate your garden with glass, crystal, and simply beautiful ornaments. If you like butterflies, fairies, frogs, gazing balls, decorative thermometers, or just about anything else you’ll find that there are great ornaments that will dress your lawn and garden up a bit more and make it a place that you will love to be as well as a place that your friends and neighbors admire.
It doesn’t matter whether you are looking for garden ornaments UK, or in the United States, because anywhere you go you’ll find that there are plenty of lawn ornaments to go around! If you want something a bit bigger you’ll find that there are also water garden ornaments that are just as beautiful as the smaller ornaments. You can choose from small waterfalls, fountains, birdbaths, ponds, and more. Water features such as this can act as a great focal point for the lawn or garden, and make a great addition to a lawn or garden that already is decorated nicely with garden ornaments. Garden ornaments are a fun way to dress up the outside of your home as beautifully as you decorate the inside of your home.
Grand Illusions was created by Nick Ronald and David Roberts in December 1987, initially with just one small store in St Margaret's, Twickenham. The mission was to promote gifts, cards and accessories of good design and taste at an affordable price - still very much the core business ethic to this day.
Shortly afterwards, they discovered and developed a paint range that was to transform their lives. In those days, painted furniture was something of a rarity, and a twenty two drawer chest painted in one of the new paints caught the eye of 'Homes & Gardens' magazine - the small feature resulted in over a thousand telephone calls and the seeds of the highly acclaimed furniture collection were sewn.
This also led to the publication of three Grand Illusions books on decorating techniques and design inspiration, published in five countries by Ebury Press and accompanied by guest appearances on BBC2's Home Front and various local BBC radio stations.
They published their first mail-order catalogue in 1990 which was immediately voted as one of the top 200 catalogues in a new worldwide review and several issues later, they were awarded the contract to operate 'Country Living by Post' on behalf of the magazine, in addition to their own unique programme.
Today, the company's activities are currently concentrated on their two stores in St Margarets and Shaftesbury, with mail-order, paint studio, trade-sales and distribution also located in Dorset. The team regularly exhibit at quality retail and trade fairs like Country Living, Top Drawer and the RHS Flower Shows at Chelsea, Hampton Court and Tatton Park. Their products are now available at quality retail outlets across the UK and some stores in Japan, USA and Germany.
The publication of this web-site sees the return to mainstream mail-order for the accessory collection, which is just one of the exciting developments planned for the near future - so watch this space.
Published At: Isnare Free Articles Directory http://www.isnare.com
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